B&W Fine Art Photography
B&W Fine Art Photography
If you haven’t read the first four parts please take a look at them, because there you may see the images unsharpened and sharpened with various tools, and you’ll learn about the specifics of this comparison. Raw Converters Mega Test part I Raw Converters Mega Test part II Raw Converters Mega Test part III Raw …
If you haven’t read the first two parts please take a look at them, because there you may see the images unsharpened and sharpened with the native tools of each raw converter, and you’ll learn about the specifics of this comparison. Raw Converters Mega Test part I Raw Converters Mega Test part II Raw Converters …
If you haven’t read the first two parts please take a look at them, because there you may see the images unsharpened and sharpened with the native tools of each raw converter, and you’ll learn about the specifics of this comparison. Raw Converters Mega Test part I Raw Converters Mega Test part II Here I …
If you haven’t read the first part please take a look at it, because there you may see the images unsharpened and learn about the specifics of this comparison. Raw Converters Mega Test part I In this second part we shall see how the converters behave in the sharpening department. We will try to sharpen …
In the “old” darkroom days we were used to choose various combinations of film and developer to obtain different results. Some combos exalted the acutance, others put an accent on tonal gradation and so on. What now? Still different raw converters give different results? Or are they limited by the technology used in the camera …
I bought the Sony Nex-3 as a companion to the Fujifilm X100, to be able to use wider and longer lenses while keeping the bag at a reasonable size & weight to travel without too much hassles. Paired with the Sony 16mm f/2,8 pancake (24mm equivalent) and a 50mm f/1,7 Minolta MD (via an …