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Making the viewer work for it

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Maybe because, given my age, I grew up in a world already dominated from television sets and magazines full of pictures; maybe because I still remember when I was a little kid my grandma telling me, every time we watched a Western together that «these cowboys and indians aren’t really dying, you know, it’s just for show». But I have never been particularly confident in the power of cinematography, and by extension photography, of telling the truth.
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