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Kodak Ektar 100 colors, Hasselblad 500c/m and Distagon 50mm f/4

How to get the right colors from negative films

Kodak Ektar 100 colors, Hasselblad 500c/m and Distagon 50mm f/4

Scanning color negatives is the Holy Grail of the film lover. The scanning part, per se, is no different that the one you have to carry with any other film, color or black and white. The tricky part comes when you try to obtain natural, or at the very least, pleasant colors from that piece …

From the train, Kershaw 120

How to develop color negatives in C-41, the easy way

From the train, Kershaw 120

  One of the best reason to still shooting film is the ability to use negative color film. It has been perfected for decades, and now is at the vertex of its evolutive path. For this reason you can shoot on amazing films like Ektar – to name but one – that give you beautiful …

Linhof Technica III second version

The cheap bastard guide to (film) photography – Part III: Large format

Linhof Technica III second version

The large format options are more limited. In reality there are dozens of possibility, but the larger the format the more difficult to find a good camera for a cheap price. And the admission ticket starts to skyrocket too…   UP TO 150€ Graflex Speed Graphic (various models) with one lens MPP (various models) without …

Hasselblad 500c/m

The cheap bastard guide to (film) photography – Part II: Medium format

Hasselblad 500c/m

With medium format cameras the price of the admission ticket used to be pretty steep. Thankfully to the explosion of the digital craziness now you may buy cameras that costed thousand of euro for a few bucks. Keep in mind that the quality will be correlated to the original price, not the one you will …