B&W Fine Art Photography
B&W Fine Art Photography
A while ago I tested pretty much all the raw converters available at the time with a Canon 5D Mark II: https://www.addicted2light.com/2012/05/28/review-raw-converters-mega-test-part-i/ But I advised in the review that the results were camera-dependant, meaning that each software gives the best possible results with a specific sensor / camera combination. This does not mean that the …
If you haven’t read the first four parts please take a look at them, because there you may see the images unsharpened and sharpened with various tools, and you’ll learn about the specifics of this comparison. Raw Converters Mega Test part I Raw Converters Mega Test part II Raw Converters Mega Test part III Raw …
If you haven’t read the first two parts please take a look at them, because there you may see the images unsharpened and sharpened with the native tools of each raw converter, and you’ll learn about the specifics of this comparison. Raw Converters Mega Test part I Raw Converters Mega Test part II Raw Converters …
If you haven’t read the first two parts please take a look at them, because there you may see the images unsharpened and sharpened with the native tools of each raw converter, and you’ll learn about the specifics of this comparison. Raw Converters Mega Test part I Raw Converters Mega Test part II Here I …
If you haven’t read the first part please take a look at it, because there you may see the images unsharpened and learn about the specifics of this comparison. Raw Converters Mega Test part I In this second part we shall see how the converters behave in the sharpening department. We will try to sharpen …
In the “old” darkroom days we were used to choose various combinations of film and developer to obtain different results. Some combos exalted the acutance, others put an accent on tonal gradation and so on. What now? Still different raw converters give different results? Or are they limited by the technology used in the camera …