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B&W Fine Art Photography

Showing: 1 - 6 of 7 RESULTS
Contax Vario-Sonnar 100-300mm

Review: Contax 100-300mm f/4,5-5,6 Vario-Sonnar

Contax Vario-Sonnar 100-300mm

Wow! After the first photos this will be the word that will be out of your mouth when you will see the results. The pictures made with this handy zoom literally pops-out from the screen, even from the tiny one of the digital cameras, not to mention from an iMac! By any means this it’s …

Yashica 28-85 ML

Review: Yashica 28-85mm f/3,5-4,5 ML

Yashica 28-85 ML

One of the best “bang for the bucks” out there. Its strongest point is the colour rendition, tipically Zeiss despite the Yashica lineage. The first weakest point is the relatively vast amount of flare when shot in backlight (otherwise it would have scored a full 4 stars). Its second weakness is that the macro focus …

Review: Canon 24-85mm f/3,5-4,5 Usm

Great value for the money. This compact lens is a very good travel companion, light and reasonably sharp at all zoom settings and apertures. At least in my own sample sports the best results at the wide angle end, while at 85mm is softer. First row 24mm, left center, right borders;  second row 85mm, left …

Review: Nikon 80-200mm f/2,8 AF D ED

Aside for the average vignetting (stronger on film or FX, obviously) you may see at the long end @ f/2,8 this lens is a very capable performer. It is sharp, it doesn’t flare so easily like its inheritor, the 70-200 VR, and it is shorter and somewhat smaller too. The firs D version (without tripod …

Review: Nikon 18-35mm f/3,5-4,5 AF D IF ED

If you don’t need the extra speed of the 17-35/2,8 this is a good purchase. It is quite sharp and don’t flare easily, even shooting into the sun. Obviously you have to keep the front lens religiously clean to avoid the ghosts. In short a very good lens, without the stellar sharpness of his “rich …

Review: Nikon 70-180mm f/4-5,6 Micro AF D IF ED

Big and heavy, but beautiful. You may obtain very crisp images from this lens, but you have to put it on a rock-solid tripod (or shoot whit a lot of light at high speeds), maybe interlocking something between the tripod mount and the lens itself to avoid vibrations (often a rollfilm plastic case filled with …